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ONE:"The next day," said the Doctor, "I went on from Nara to Kioto, which was another thirty miles, in about the same time and with a similar halt for dinner. I had the same men as on the day before, and they raced merrily along without the least sign of fatigue, although there was a pouring rain all day that made the roads very heavy. Frequently there were steep little hills to ascend where the road passed over the water-courses or canals. You will find, as you travel in Japan, that the canals are above the general level of the country, in order to afford the proper fall for irrigation. Where the road crosses one of these canals, there is a sharp rise on one side, and an equally sharp descent on the other. You can manage the descent, but the rise is difficult. In the present instance the rain had softened the road, and made the pulling very hard indeed; and, to add to the trouble, I had injured my foot and was unable to walk, so that I could not lighten the burden of the men by getting out of the carriage at the bad places."Who--o?" It was not one who asked; the whos came like shrapnel; and when, not knowing what else to do, I smiled as one dying, there went up a wail of mirth that froze my blood and then heated it to a fever. The company howled. They rolled over one another, crying, "Charlie Toliver!--Charlie Toliver!--Oh, Lord, where's Scott Gholson!--Charlie Toliver!"--and leaped up and huddled down and moaned and rolled and rose and looked for me. TWO:"I ought not to have shown him that envelope addressed to you."��I can��t bear to think of Mr Silverdale not having his rubber of bridge now and then,�� said Alice. ��It was such a refreshment to him.��

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ONE:He stared at me and hushed. A panic was surging through me; must I be brought to book by such as he? "Mr. Gholson," I cried, all scorn without, all terror within; "Mr. Gholson, I--Mr. Gholson, sir!--" and set my jaws and heaved for breath. TWO:Near the archery grounds there was a collection of so-called wax-works, and the Doctor paid the entrance-fees for the party to the show. These wax-works consist of thirty-six tableaux with life-size figures, and are intended to represent miracles wrought by Ku-wanon, the goddess of the temple. They are the production of one artist, who had visited the temples devoted to Ku-wanon in various parts of Japan, and determined to represent her miracles in such a way as to instruct those who were unable to make the pilgrimage, as he had done. One of the tableaux shows the goddess restoring to health a young lady who has prayed to her; another shows a woman saved from shipwreck, in consequence of having prayed to the goddess; in another a woman is falling from a ladder, but the goddess saves her from injury; in another a pious man is saved from robbers by his dog; and in another a true believer is overcoming and killing a serpent that sought to do him harm. Several of the groups represent demons and fairies, and the Japanese skill in depicting the hideous is well illustrated. One of them shows a robber desecrating the temple of the goddess; and the result of his action is hinted at by a group of demons who are about to carry him away in a cart of iron, which has been heated red-hot, and has wheels and axles of flaming fire. He does not appear overjoyed with the free ride that is in prospect for him. These figures are considered the most remarkable in all Japan, and many foreign visitors have pronounced them superior to the celebrated collection of Madame Tussaud in London. Ku-wanon is represented as a beautiful lady, and in some of the figures there is a wonderfully gentle expression to her features.

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